Homosexual Desire in Shakespeares Sonnet 20 and Byrons To Thyrza Essa

Homo internal Desire in Shakespeares Sonnet 20 and Byrons To Thyrza Crompton states in his epilogue ...diverse sexual lifestyles still give notice apprehension even when they threaten no direct harm to others. In this particular matter, our culture faces business unfinished by the Enlightenment (381). Examining Byron and Shakespeares poetry, opens a window to the prevailing sexual attitude of late eighteenth and untimely nineteenth century and defines more clearly the intent of these poets. A sexual metamorphosis involving the realization of transvestite desires and nonconventional erotic preferences occurs in both passkey Byrons To Thyrza and William Shakespeares Sonnet 20, precisely the poets, known for the gender ambiguity in their prose and personal relationships, differ greatly in their portrayal of homosexuality and the heart that homosexuality had on both themselves and their poetry. Byrons homosexual temperament contrasted crisply to the orthodox attitudes shared by his society. Byrons bisexual nature troubled his adolescence, as homosexuals faced hostile public opinion during the early 1800s. Portraying the illegality and barbarian acts that homosexuals committed, newspapers of the day referred to gays as monsters whose rarity matched their enormity (Crompton 164). Secular England also condemned homosexuals for their flunk of women (164) however, Byrons good looks and glamour as a poet attracted women, and he was not unresponsive to his popularity. Intense feelings of desire and affection towards men colors Byrons early life. A precocious child, Byron was an heir to the family title at age eight. A consort at age ten, his emotional and sexual life seemed to have certain correspondingly early. Seduced at... ...peare displayed affection for a Master mistress, also a male, but sublimates the desire due to disapproval of his own homosexual urges and consternation of public ridicule and exile from society. Unlike Byron, Shakespeares homosexu al affair, fictitious or genuine, does not seem to involve a physical relationship but rather an emotional bond between two men. The existence of homosexual desires is clearly demonstrated in Shakespeares Sonnet 20 and Byrons To Thyrza. However, these poets environment compulsive the sexual metamorphosis that enabled them to maintain their sexual ambiguity and protect their anonymity in their respective works. These poems provide a framework to serve the wave-particle duality that reflected this era in British society preservation of a nations favored orthodox sexual identity, and the reality of its authors heretical erotic feelings.